Publications of Lorenzo Da Ponte

Note: The following printer, bookseller, or publisher lists are works in progress. They are generated from title page imprints and may reproduce false and misleading attributions or contain errors.

What does "printed by" mean? How to read the roles ascribed to people in the imprints.

In terms of the book trades, the lists below are sorted into up to four groups where: the person is designated in the imprint as having a single role:

  1. "printed by x"; or
  2. "sold by x"; or
  3. "printed for x" or "published by x";

or as having multiple roles in combination (which suggests a likelihood that the person is a trade publisher):

  1. "printed and sold by x"; "printed for and sold by x"; or "printed by and for x" and so on.

Printers (owners of the type and printing presses, and possibly owners of the copyright) may be identified by the words printed by, but printed by does not universally designate a person who is a printer by trade. Booksellers may be identified by the words sold by, but sold by encompasses a number of roles. Booksellers or individuals who owned the copyright are generally identified by the words printed for, but nothing should be concluded in this regard without further evidence, especially since "printed for" could signify that the named person was a distributor rather than a copyright holder. Trade publishers, who distributed books and pamphlets but did not own the copyright or employ a printer—and were not printers themselves—might be identified by the words printed and sold by. Furthermore, works from this period often display false imprints, whether to evade copyright restrictions, to conceal the name of the copyright holders, or to dupe unwitting customers. Ultimately, one must proceed with caution in using the following lists: designations in the imprints may not reliably reflect the actual trades or roles of the people named, and the formulas used in imprints do not consistently mean the same thing.

David Foxon discussed the "meaning of the imprint" in his Lyell Lecture delivered at Oxford in March 1976, with particular attention to "publishers" in the eighteenth-century context:

The fullest form of an imprint is one which names three people, or groups of people:
     London: printed by X (the printer), for Y (the bookseller who owned the copyright), and sold by Z.
In the eighteenth century the printer's name is rarely given, at least in works printed in London, and the form is more commonly:
     London: printed for Y, and sold by Z.
Very often in this period, and particularly for pamphlets, it is further abbreviated to:
     London: printed and sold by Z.
It is this last form which is my present concern. Z is usually what the eighteenth century called 'a publisher', or one who distributes books and pamphlets without having any other responsibility—he does not own the copyright or employ a printer, or even know the author.

D. F. McKenzie coined the term "trade publisher" for these publishers in his Sandars Lectures, also in 1976, on the grounds that their principal role was to publish on behalf of other members of the book trade (Treadwell 100).

Michael Treadwell cautions that "In this period the imprint 'London: Printed and sold by A.B.' normally means 'Printed at London, and sold by A.B.' and must not be taken to mean that A.B. is a printer in the absence of other evidence." Further, "The imprint 'published by' occurs only rarely in Wing and is almost always associated with the name of a trade publisher" (104). While there are exceptions to the rule, it is "certain," he explains, "that anyone who made a speciality of distributing works for others will show a far higher proportion than normal of imprints in one of the 'sold by' forms" (116), which appear in the imprint as "sold by," "printed and sold by," or "published by" (104). Treadwell gives Walter Kettilby as an example of "a fairly typical copyright-owning bookseller" (106)—his role is almost always designated by the phrase "printed for" on imprints.

A final caution: publisher is a word that should be used with some deliberation. Samuel Johnson defines it simply as "One who puts out a book into the world," but "published by" rarely appears on the imprint until later in the eighteenth century, and then primarily associated with newspapers and pamphlets. Treadwell observes that John Dunton names only five publishers among the 200 binders and booksellers in his autobiographical Life and Errors (1705) wherein he undertakes "to draw the Character of the most Eminent [Stationers] in the Three Kingdoms" (100). Treadwell also remarks, however, that "in law, anyone who offered a work for sale 'published' it. In this sense every work had one or more 'publishers', and every bookseller, mercury, and hawker was a 'publisher'" (114).

See:

  • Terry Belanger, "From Bookseller to Publisher: Changes in the London Book Trade, 1750–1850," in Book Selling and Book Buying. Aspects of the Nineteenth-Century British and North American Book Trade, ed. Richard G. Landon (Chicago: American Library Association, 1978).
  • Bricker, Andrew Benjamin. "Who was 'A. Moore'? The Attribution of Eighteenth-Century Publications with False and Misleading Imprints," in The Papers of the Bibliographical Society of America 110.2 (2016).
  • John Dunton, The Life and Errors of John Dunton (London: Printed for S. Malthus, 1705).
  • John Feather, "The Commerce of Letters: The Study of the Eighteenth-Century Book Trade," Eighteenth-Century Studies 17 (1984).
  • David Foxon, Pope and the Early Eighteenth-Century Book Trade, ed. James McLaverty (Oxford University Press, 1991).
  • Samuel Johnson, Dictionary of the English Language, (printed for J. and P. Knapton; T. and T. Longman; C. Hitch and L. Hawes; A. Millar; and R. and J. Dodsley, 1755).
  • D.F. McKenzie, The London Book Trade in the Later Seventeenth Century (Sandars lectures in bibliography, 1977).
  • Michael Treadwell, "London Trade Publishers 1675–1750," The Library sixth series, vol. 4, no. 2 (1982).

Printed by Lorenzo Da Ponte

  • Guillard, Nicolas François. Evelina; or, triumph of the English over the Romans. A new serious opera; performed at the King's Theatre. In the Hay-Market. January 1797. The music, by Sacchini, Being his last, and a Posthumous Work. Translated from the French, by Lorenzo da Ponte Poet of this Theatre. And adapted to the music by Mr. V. Federici. London : printed by L. Da Ponte, No. 134, Pall-Mall, 1797. ESTC No. T89949. Grub Street ID 309803.
  • Grandi, Tommaso. Le gelosie villane, a comic opera, as represented at the King's Theatre, Hay-Market. The music by the celebrated Mr. Sarti. Under the Direction of Mr. Federici. London : printed by L. Da Ponte, No. 134, Pall-Mall, 1797. ESTC No. T69494. Grub Street ID 293469.
  • Calzabigi, Ranieri de. Alceste; ossia il trionfo dell' amor conjugale. A serious opera, in two acts. Performed at the King's Theatre, in the Haymarket. The music by the Chevalier Gluck. London : printed by Da Ponte, 5, Pall-Mall, 1798. ESTC No. T129311. Grub Street ID 178777.
  • Sanctis, Luigi de. Ines de Castro. A musical drama, in two acts. Performed at the King's Theatre in the Haymarket. The music entirely new by Sig. Bianchi. London : printed by Da Ponte, [1799]. ESTC No. T89958. Grub Street ID 309812.
  • Buonaiuti, (Serafino). S. I due svizzeri; or, the two Swiss. A new comic opera, in one act. Performed at the King's Theatre in the Haymarket. The music by G. G. Ferrari. The poetry by Serafino Buonaiuti. London : printed by Da Ponte, [1799]. ESTC No. T68802. Grub Street ID 292946.
  • Zini, Saverio. La pastorella nobile. A comic opera, in two acts. Performed at the King's Theatre, in the Haymarket. The music by the celebrated Guglielmi. London : printed by Da Ponte and Bastie, 5, Pall-Mall, 1800. ESTC No. T89959. Grub Street ID 309813.
  • Moretti, Ferdinando. La Semiramide. A musical drama, in two acts. Performed at the King's Theatre in the Haymarket. The music by Bianchi. The subject and incidents of drama are taken from Voltair's [sic] Tragedy of Semiramis. London : printed by Da Ponte, [1800]. ESTC No. T130486. Grub Street ID 179587.

Author

  • Da Ponte, Lorenzo. La cosa rara; a new comic opera, in two acts, as performed at the King's Theatre, in the Hay-Market, the music entirely new, by Signor Martini; under the direction of Mr. Mazzinghi. London : printed by C. Etherington, (no. 4,) Harford-Place, Drury-Lane, for M. Gallerino, Opera House, M,DCC,LXXXIX. [1789]. ESTC No. T100867. Grub Street ID 154779.
  • Da Ponte, Lorenzo. Il burbero di buon core: a comic opera in two acts. As represented at the King's Theatre, Haymarket. The music by the celebrated Signor Vincenzo Martini, under the direction of Mr. Federici. The words by Lorenzo da Ponte, Poet of this Theatre. London : printed by C. Clarke, No. 6, Northumberland Court, Strand, [1794]. ESTC No. T89957. Grub Street ID 309811.
  • Da Ponte, Lorenzo; Moretti, Ferdinando. La semiramide: a musical drama. As represented at the King's Theatre, HayMarket. The words by Mr. ****. With many alterations and additions by Lorenzo Da Ponte, poet of this theatre. London : Printed by C. Clarke, no. 6, Northumberland court, Strand, 1794. ESTC No. T200479. Grub Street ID 232100.
  • Da Ponte, Lorenzo. The imprudent counsel. A comic opera, in one act. As represented at the King's Theatre, in the Hay-market. By L. Da Ponte, ... The music entirely new, and composed by Signor F. Bianchi, . London : printed by J. Davenport, 1796/7. ESTC No. N54042. Grub Street ID 37894.
  • Da Ponte, Lorenzo. Antigona: a new serious opera, in two acts. To be performed at the King's Theatre, Hay-Market. The music, composed, here, by Bianchi. London : printed by W. Glindon, Coventry-Court, Hay-Market, 1796. ESTC No. T89956. Grub Street ID 309810.
  • Da Ponte, Lorenzo. La scola de maritati. A comic opera, in two acts. Composed here by Da Ponte, performed at the King's Theatre in the Haymarket. The music by Sig. Vincenzo Martini, Music Composer to his Imperial Majesty, the Emperor of all the Russias. London : printed by E. Jackson, [1798]. ESTC No. T89995. Grub Street ID 309848.
  • Da Ponte, Lorenzo. La cifra. A comic drama. In two acts. By Da Ponte. Set to music by Signor Salieri, in the actual Service of his Majesty the Emperor. The Scene lies in a Village in Scotland. Performed at the King's Theatre in the Haymarket. London : printed by E. Jackson, [1798]. ESTC No. T89996. Grub Street ID 309849.